In Crust We Trust ‘23: LPs & Reissues

If you’re a regular reader of In Crust We Trust, you’ll notice this column isn’t in its usual location. Previous editions of ICWT have been published by the long-running website Last Rites, and I owe the Last Rites crew an enormous debt of gratitude for doing so. I exited Last Rites’ ranks in early December because I’ve been acutely unwell for several months, and the latest wave of Covid hit my family hard. I needed to step back, hunker down, and focus on everyone’s health, including my own.

Below, you’ll find the second of two end-of-year ICWT editions constructed from pieces of writing I had lying around. As you’ll read below, I’ve been poorly, so both year-end editions are unpolished, unedited, and likely to be riddled with errors. Of course, rough-as-fuck writing is my sweet spot, so there’s no change in that regard.

In one sense, publishing anything on my much-neglected blog is futile. I’m not promoting my writing on social media, and the first end-of-year post I published this year, which spotlighted bands from my neck of the woods, attracted 11 readers. (Uh-oh! Ouch. And bummer.) Still, as I’ve said before, I am a Gen-Xer, and there’s nothing we love more than the sound of our own voices, so here go again.

PS: I slapped this post together while running a fever so high I could only open one eye. Lord knows what shape it’s in. But you’re welcome! I love you. xx


In Crust We Trust ‘23 – Introduction


Kia ora friends, whānau, and frenemies. Greetings from the El Niño-blasted shores of Aotearoa New Zealand. You’re reading the second and final edition of ICWT’s year-end coverage, which focuses on my favourite full-length releases from 2023.

The first part of ICWT’s end-of-year action spotlighted my favourite EPs and demos from the past 12 months. If you’re curious, feel free to check that post out – it’s crammed with great releases.

Before I go any further, thanks for stopping by. I appreciate it’s a hectic time of year, so cheers for taking the time to hunt down this backwater blog. I know you’ll be well-acquainted with my choices below, but I hope you find a couple of unheard releases to devour.

This year, we witnessed the loss of several creative geniuses who’ve influenced the bands below; see Geordie Walker (Killing Joke), Shane MacGowan (Pogues), Sakevi Yokoyama (G.I.S.M), Tom Verlaine (Television), Glen “Spot” Lockett (SST producer extraordinaire), Mark Stewart (The Pop Group), Gary Young (Pavement), and more. Loss is always challenging, and when the voices that soundtrack important eras or moments in our lives depart this realm, it understandably stings all the more. In one sense, though, those voices are not silenced. We still have the music they created – or helped to make – and maybe that music means even more to us now.

I don’t mean to start on a sad note. I’ve just been thinking a lot about how much music means to me and how writing about the records that hit home hardest remains a pleasure and a privilege. I’m old as the hills – and at this point, barely hanging in there – but I never tire of listening to whippersnappers or grizzled ol’ veterans tearing into breakneck tracks. There were scores of first-rate punk and hardcore releases this year, and you’ll find plenty of sledgehammering noise to sink your teeth into below.

I chose 50(-ish) full-lengths and 15(-ish) reissues to spotlight this year. That’s a slither of the 11,500 punk recordings Discogs notes as being released in 2023. Most of my choices orbit a very similar sonic sphere, and you should consider surveying other end-of-year articles for a much broader picture of all the great punk and hardcore released in the past 12 months.

In the introduction to my first year-end edition of ICWT, I detailed the ins and outs of writing these posts. I also mentioned that it’s a tough time for many right now, and I’m glad we’ve got music to distract us, support us, and keep the flame burning inside us. I won’t repeat all the boring intel from that intro, but there are four points to remember:

  1. ICWT focuses on crust, d-beat, raw hardcore, stenchcore, noise punk, and metalpunk. However, other sub-genres definitely feature below.

  2. I’m a hermit. And I’m not on social media. I’m positive that means I’ve overlooked several obvious end-of-year inclusions. Whoops-a-daisy. And sorry about that.

  3. I’ve been in and out of the hospital recently, and I’m currently basting in a stew of meds. I’d be the first to admit I’m not firing on all cylinders. But I did my best below. Apologies if it reads like a fucking train wreck. Honestly, I was in two minds about hitting the publish button, but my desire to thank all of the bands and labels whose music bolstered my resolve in 2023 overrode any likely embarrassment.

  4. End-of-year list-making is reductive, subjective, arbitrary, and needlessly competitive. (That said, I love a lengthy listicle!) As a result, I don’t rank or order my year-end lists. For me, it’s simply about spotlighting my favourite releases, not arguing about who’s better or best.

Thanks to all the DIY bands, labels, distros, and independent record stores who provided so much tasty noise in 2023. And cheers to all the journos, bloggers, friends, and foes who recommended so much great music this year.

Thanks to Sorry State Records’ excellent newsletter, which I look forward to every week. And cheers to YouTuber Analog Attack, whose What Are You Listening To? series delivers reliably upbeat chat about a host of rad records.

Most importantly, give yourself a hearty pat on the back for visiting ICWT. The truth is, my writing is little-read, and this blog is obscure as Hell. Thus, your support is hugely appreciated. It fills my rotten little heart with glee when we can gather and celebrate the endless joys of shitnoise together. You röck. And röll.

Stay safe. Be Well. Kia kaha.

xx

Ps: If, like me, you’re interested in weird, outsider, or alternative music in general, here are a few end-of-year listicles I’d wholeheartedly recommend: Quietus Albums Of The Year 2023, tQ’s Reissues, Etc. Of The Year 2023, Aquarium Drunkard: 2023 Year in Review, Straight Hedge! The Best Punk And Hardcore Of 2023.


LPs & MLPs


Various: Screaming Death

North Carolina label Bunker Punks Discs & Tapes released the best split release in 2023. Screaming Death featured tracks from US ragers Destruct and Scarecrow, UK outfit Rat Cage, and Swedish bangers Dissekerad. Screaming Death’s avalanche of raw hardcore met Bunker Punks’ aim of releasing an “international bombardment of non-stop käng” that paid tribute to definitive hardcore comps like Eye Of The Thrash Guerrilla or Thrash ‘Til Death. Every band was in peak form, and Screaming Death’s killer artwork and design perfectly captured the intensity within. Screaming Death was a visceral reminder that a top-notch split remains a crushing means of expression. Screaming Death was an instant classic.

Label: Bunker Punks

Bandcamp: Screaming Death


Trenchraid: War Mentality

Trenchraid's bulldozing full-length, War Mentality, was bleak as fuck but fun as fuck, too. The Canadian band's songs combined the doom-mongering of Stoke-On-Trent's finest with the catchiness of Motörhead. Therein lay Trenchraid's strength; they sounded mean as hell but threw in plenty of röck 'n' röll hooks. War Mentality explored the traumas of global conflict and the endless frustrations of human existence. Rapid-fire d-beat with churning bass, sawtooth guitar, and barking vocals conjured abundant hate and hostility. Like the best high-powered punk, Trenchraid's ugly sound was wholly magnetic.

Label: Blown Out Media

Bandcamp: War Mentality


Zorn: S/T

The best thing about Philadelphia band Zorn’s self-titled LP wasn’t all the crashing hardcore within. Don’t get me wrong, Zorn’s bitter melodies and inferno-like instrumentation were a total blast. But Zorn’s full-length also displayed a thrilling intertwining of bone-chilling deathrock and d-beat; channelling peak Christian Death as much as Discharge at their most potent. Hard-out basement thrash also added a lot to the mix, with Zorn’s adventurous blend of influences carving out a more distinctive voice in the metalpunk league.

Label: Sorry State Records

Bandcamp: Zorn

Putrid Future: Nightmare Reality

It seemed inevitable that like-minded DIY labels Razored Raw (Aotearoa New Zealand) and Sistema Mortal (Italy) would eventually co-release a torrent of bleeding-raw hardcore. So it was with Nightmare Reality, the max-mayhem cassette from Te Whanganui-a-Tara (Wellington) noise-mongers Putrid Future. Much like the trio's previous split release with Australian raw punks Szkło, Nightmare Reality's d-beaten tracks drilled themselves into your brain while hammering nails into your chakras. Razored Raw released some great New Zealand noise this year, but Nightmare Reality was the best of the bunch. Über-abrasive. Harsh as Hell. And utterly eviscerating. Nightmare Reality featured back-to-back raw punk bangers.

Label: Razored Raw, Sistema Mortal

Bandcamp: Nightmare Reality


Physique: Again

Crusty ne’er do wells Physique’s latest dissonant release, Again, was a skull-smashing success. The 12” featured fifteen bleeding-raw tracks that did Framtid, Abraham Cross, and D-Clone proud. Physique further explored the horrors of war and the torments of late-stage capitalism, with their abrasive songs shaking with hemorrhaging distortion and foot-to-the-floor crasher crust. Physique surveyed grim terrain on Again, but the darkness never defeated them; another rip-roaring release from the band.

Label: Iron Lung Records

Bandcamp: Again

PS: Physique have a six-song EP, Overcome By Pain, due for release on December 29th via Iron Lung Records. From the sound of the preview track streaming, you can expect more maelstrom-like noise.


Svaveldioxid: V​ä​rldsel​ände

V​ä​rldsel​ände was the latest all-fire release from the Swedish veterens Svaveldioxid. Like the group’s previous recordings, V​ä​rldsel​ände featured an ear-splitting fusion of ’80s and ’90s käng, berserker råpunk, and max-grotty d-beat. Världsel​ände was harsh and heavy, and while Svaveldioxid made an ungodly racket, the band’s ferociousness didn’t obscure the gruesome hooks buried in their songs. If you’re on the hunt for brutal, belligerent, and bull-headed punk, V​ä​rldsel​ände provided all of that and more. Violent and volatile. Svaveldioxid doing what they do best.

Label: Blown Out Media

Bandcamp: V​ä​rldsel​ände

Fog: A Black Cloud That Swallowed The Dove

The lineup of Te Ika-a-Māui (North Island) four-piece Fog features musicians who've played in many well-regarded punk bands. The group's excellent debut, A Black Cloud That Swallowed The Dove, sounded exactly like an imaginative recording you'd find on the roster of a label like D4MT Labs or La Vida Es Un Mus. Fog mixed jagged anarcho-punk with angular post-punk, and then the band layered the lot with a thick coat of unorthodox creativity. A Black Cloud That Swallowed The Dove's dark tracks were powered by driving bass and ice-cold guitar, with Fog's sub-vocalisations, Sprechgesang mutterings, and roiling instrumentation offering a marked point of difference. If you enjoy the off-kilter sounds of Straw Man Army and kin, you'll love this.

Label: Self-released

Bandcamp: A Black Cloud…

Geld: Currency//Castration

Australian band Geld's third release, Currency // Castration, was their first for heavy-hitters Relapse Records. Currency //Castration's off-the-chain musicianship and brain-frying creativity saw Geld conjuring fevered visions on paranoiac tracks. The band twisted psychedelic weirdness around hardcore's bleeding-raw pyrotechnics, with Geld injecting more metal than ever into their songs. Another psy-ops maelstrom. Another dimension-splitting triumph.

Label: Relapse Records

Bandcamp: Currency // Castration


Farsa: S/T

Berlin-based Farsa features members from Argentina, Venezuela, and Catalonia. The band's self-titled 2023 LP was a HUGE step up from Farsa's demo. The band's primitive d-beat and hardcore sounded significantly burlier and wielded a lot more armour, with Farsa's latest tracks showing an excellent balance between maximising their rawness and amplifying their heaviness. Farsa's first full-length struck like a battering ram.

Label: Wild Wild East Records, The Little Jan's Hammer Rec, Kaos Diystro Records, Nunchakupunk, Aback Distribuce Records

Bandcamp: Farsa


Pubic Acid: Beat Session Vol 10

A red-lining mix of Japanese hardcore’s insanity and Italian punk’s primitivism are the base ingredients in Public Acid’s red-lining sound. The band unleashed more feedbacking torrents of noise on the tenth volume of Shout Recordings’ Beat Sessions. Like Public Acid’s previous releases, Beat Session Vol 10 was an uncontrollable firestorm and yet, somehow, also a pinpoint strike. That’s Public Acid’s genius, of course, miraculously corraling a firestorm. Maniacal riffs and demented solos warped songs and minds, while Public Acid shoved melodies aside to embrace the heart of chaos. Free your mind; you know what follows.

Label: Shout Recordings

Bandcamp: Beat Session Vol 10


Death Crusade: Znow Płonie Niebo

Death Crusade features a couple of members from legendary Polish crusties Filth of Mankind in the ranks. Like Filth of Mankind, Death Crusade’s stampeding songs sounded ominous and intimidating on their Znow Płonie Niebo LP. Downbeat crust mixed with downtuned death metal, with grinding heaviness connecting both. Znow Płonie Niebo’s tracks were dense and destructive, powered by super-dark riffs. D-beat, blastbeats, and world-eating vocals delivered a hailstorm of ear-shattering metalpunk.

Label: Nieroby Records, Throne Of Lies Records, Deviance, Helldog Records, DIY Koło, Hidden Beauty

Bandcamp: Znow Płonie Niebo


Anguished Life: Shroud of Death

Los Angeles band Anguished Life includes members from some other ripping West Coast noise-makers – see Tortür, End Result, and Dust Collector. Anguished Life’s punishing debut, Shroud of Death, featured crashing tracks that were as relentless as they were ferocious. Recorded at the well-known 1753 recording room, Shroud of Death’s Dis-charging d-beat and raw punk were scorching enough to spark a dumpster fire. Anguished Life’s music and message reeked of authenticity. It was no surprise to see label Blown Out Media’s name stamped on this red-hot röcker.

Label: Blown Out Media

Bandcamp: Shroud of Death


Scäretactic: A Plea For End

The debut recording from North Carolina’s Scäretactic featured on the list of my favourite demos from 2023. The band’s full-length, A Plea For End, was released late in the year and included searing versions of most of the band’s demo tracks, along with a few extra raw punk bangers to flesh things out. Like the band’s demo, A Plea For End roared like a toxic inferno with the d-beat and jagged hardcore within being thick and crusty but still rabid as a junkyard dog. Virulent. Violent. Vicious. Nasty noise to stoke world-ending fires.

Label: Subsidiary Technology Industry Electronics

Bandcamp: A Plea For End


Subordinates: Misery

Misery, the second album from Birmingham, UK, hardcore crew Subordinates, was one of 2023's heaviest-hitting releases. How heavy? Phenomenally heavy. Subordinates unleashed a torrent of super-distorted hardcore on Misery, with the sledgehammering noise and screaming feedback therein overwhelming in its ferocity. A huge step up from the band's debut, Misery stamped Subordinates credentials down hard. How hard? Fucking hard. As hard as it gets.

Label: Noise Merchant Records

Bandcamp: Misery


Daydream: Reaching For Eternity

Reaching For Eternity was Daydream’s third full-length release, and it found the PDX band further broadening their musical horizons. In one sense, Daydream set hardcore’s rulebook aside on Reaching For Eternity, yet the band and the album remained recognizably hardcore throughout. (Think Fugazi’s latter years; hardcore in spirit, if not always in sound.) Daydream’s songwriting and musicianship were impressive, and while the band didn’t reinvent themselves on Reaching For Eternity, Daydream were more exciting, unpredictable, and more alive with creative possibility.

Label: Blackwater Records, Sabotage Records

Bandcamp: Reaching For Eternity


Fairytale: Shooting Star

Recorded at D4MT Labs, New York City band Fairytale's Shooting Star LP featured a touch of the off-kilter artistry of D4MT co-conspirators like Tower 7 or Straw Man Army. Fairytale's singer, Lulu Landolfi, howled, growled, and often exhibited an almost Siouxsie Sioux-like etherealness. At the same time, the rest of the band brewed a lethal potion out of crust punk, raw hardcore and unyielding d-beat. Shooting Star's sonic savagery was dialled up to orc-slaying strength, and the more you listened, the deeper the nuance and rewards. Pure magick – a classic full-length debut.

Label: Toxic State Records, Quality Control HQ

Bandcamp: Shooting Star


Rat Cage: Savage Visions

Previous Rat Cage releases had seen the UK band mix Burning Spirits’s sizzle with grotty d-beat and raw hardcore’s bite with the snarl of UK82. However, Rat Cage’s 2023 LP, Savage Visions, went all-in on total audio destruction, focusing on full-bore mangel-styled rippers. Darker than ever but still catchier than a cold sore, Savage Visions was Rat Cage’s most brutal release yet. Industrial-sized problems at home fueled the band’s lyrical engine, while Rat Cage’s white-knuckle tracks mixed UK hardcore’s bolshiness with Scandi punk’s ferociousness. (Savage Visions + Rat Cage’s contributions to the excellent Screaming Death compilation = a hell of a year for the band.)

Label: La Vida Es Un Mus

Bandcamp: Savage Visions


Cancer Spreading: Deeper Down Once Again

It had been several years since Italian titans Cancer Spreading had released a full-length album, but 2023’s Deeper Down Once Again proved the passing of time hadn’t eroded any of the band’s strengths. Cancer Spreading’s nihilistic tales have grown ever darker as their music has grown heavier, and Deeper Down Once Again duly featured mammoth blasts of gloom-ridden stenchcore. Death metal’s chugging riffs and guttural vocals mixed with crust’s bombarding stonk. A ten-tonne behemoth. A hate-spewing beast. It was great to hear Cancer Spreading vomiting torrents of negative noise all over again.

Label: Future Gloom

Bandcamp: Deeper Down Once Again


Step to Freedom: S/T

Step to Freedom’s self-titled 2023 LP was rough, gruff, and tougher than steel. (The album’s artwork also perfectly captured the über-stench uproar within.) Step to Freedom’s heavy gauge crust crushed all challengers, with the Russian band dragging melodies and hooks through the sewers to add an even thicker layer of primordial crud. Step to Freedom’s tracks arose from the ashes of catastrophic ruin, reflecting a world where conflict endures, disparities increase, and the most vulnerable suffer. Misanthropy metastasizes in all of us, but Step to Freedom are here to help drain the pus. Press play and your torments will be trampled into dust.

Label: Blown Out Media, Runstate Tapes, Chainsaw Distro

Bandcamp: Step to Freedom


Life Expectancy: Decline

Life Expectancy’s Decline album was an ultra-brutal experience and one of this year’s most challenging (i.e. best) punk releases. The UK band blasted industrial noise and blown-out hardcore with even more radioactive static, mixing G.I.S.M.’s corrosiveness with Anti Cimex’s obnoxiousness. Decline’s speed-injected d-beat was 666% listener-unfriendly, and Life Expectancy’s music was blowtorch-like in intensity. Expect concussive dissonance and disordered sensations, disorientating one minute, nauseating the next: a super-harsh but highly recommended buzz.

Label: Iron Lung Records

Bandcamp: Decline


Scared Earth: Death Comes Tumbling Down

Death Comes Tumbling Down was the second album from Stockholm-based d-beat band Scared Earth. The Swedish outfit features members who’ve played in ’80s groups like Svart Parad, Disaccord, and Dom Där. Unsurprisingly, Death Comes Tumbling Down featured old-school rumbling/roaring hardcore with an anti-authoritarian message and heavy-hitting musicianship. Even better, Scared Earth didn’t just repeat themselves over and over. Death Comes Tumbling Down attacked from different directions, with a mix of noisy sub-genres leading the charge on different tracks. A röck-solid blast of catchy/classic Swedish hardcore.

Label: Phobia Records, Cimex Records, Pike Records, Anomie Records, Ryvvolte Records

Bandcamp: Death Comes Tumbling Down


Visions of War: The Lost Tapes

Twenty years ago, Belgian crusties Visions of War recorded a quick-fire session in a grubby Amsterdam squat. Some of the songs recorded during that session ended up on a split release, but the rest sat rotting on a hard drive for a few decades until they were re-discovered and finally released this year as The Lost Tapes: A Bottle to Far – Session Re​-​noised 2002. Everything on The Lost Tape was recorded live, with no overdubs or post-recording tweaks, and the album’s lo-fi filthiness was pretty much key to its success. The Lost Tapes’ råpunk fucking reeked, and Visions of War still sounded great at their rawest and stinkiest. Putrid pleasures await.

Label: Not Enough

Bandcamp: The Lost Tapes


Flower: Hardly a Dream

Flower’s Hardly a Dream full-length was a stone-cold classic. The New York City band’s LP was bursting with anarcho-crust that cut through the vacuous lies and distractions of modernity to unearth the festering sicknesses poisoning our weary souls. Flower’s tracks detailed dystopian hellscapes, with Hardly a Dream exploring a world torn apart by shotgun capitalism’s insatiable greed. Hardly a Dream was wholly pulverizing but also galvanizing. Flower scoured the rawest wounds, exposing society’s darkest ills, but the tools of resistance are here.

Label: Profane Existence

Bandcamp: Hardly a Dream


Destruct: Cries the Mocking Mother Nature

Destruct's 2023 album, Cries the Mocking Mother Nature, was another knockout release from the Richmond, Virginia band. Framtid or Bastard are obvious reference points, with Destruct's furious musical alchemy sounding utterly massive yet blisteringly raw. Cries the Mocking Mother Nature's visceral bite was akin to a feeding frenzy. Thunderbolt tracks overflowed with bloodthirsty vocals, decimating riffs and pounding percussion, and Destruct dialled up their hot-blooded intensity while amplifying their cold-blooded ruthlessness. Cries the Mocking Mother Nature was a cranium-splitting tour de force. Destruct's creative powers grow ever stronger.

Label: Grave Mistake Records

Bandcamp: Cries the Mocking Mother Nature


Warkrusher: Armistice

Canadian band Warkrusher’s first full-length, Armistice, exceeded all expectations. Thickly armoured, sonically, and thick with the choking stench and the sweltering chaos of battle, Armistice unleashed a roaring assault on murderous tracks. Stenchcore’s rotten vapours enveloped death metal’s ironclad riffage throughout. And you can draw a line from Bolt Thrower’s earliest onslaughts to Armistice’s mightiest moments, with the intensity of both feeling like a steel band tightening around your chest. Warkrusher’s sewage-raw stenchcore was heavy as an M1A1. Armistice was a colossus.

Label: Desolate Records, Agipunk Records

Bandcamp: Armistice


Extensive Slaughter: More Than A Nightmare

Extensive Slaughter’s moniker is lifted from an Excrement Of War track, which is apt, given Extensive Slaughter’s ‘scorched-earth’ music ticks plenty of ’90s crustcore boxes. Extensive Slaughter’s heavyweight debut, More than a Nightmare, engulfed and then eviscerated. Bastard-worthy leads augmented virulent hardcore and thundering d-beat, with Extensive Slaughter’s gutter crust conjuring both festering and fist-raising crust. More Than A Nightmare was obliterating – a killer debut, through and through.

Label: Neon Taste Records

Bandcamp: More Than A Nightmare


Axxe Crazy: Black Winds Blowing, an Indifferent Sky

Black Winds Blowing, an Indifferent Sky, was the second release from New Jersey miscreants Axxe Crazy. The über-guttural album mixed crust + crust + crust with noise + noise + noise. Fuzz and reverb got heavily involved, as did thrashing hardcore, with Black Winds Blowing, an Indifferent Sky’s delivering a barrage of filth-streaked metalpunk. Squealing solos tore through the battlefield haze, and Neanderthal vocals grunted and growled; Axxe Crazy’s concussive noise satisfied that twisted voice inside us all. De-fuxxing-licious!

Label: Roachleg Records

Bandcamp: Black Winds Blowing, an Indifferent Sky


See You in Hell: Do Smrti A Je​š​tě D​á​l

The latest release from Czech Republic bruisers See You in Hell, Do Smrti A Je​š​tě D​á​l, underscored the long-running band’s commitment to the cause. With abundant fuel left in their creative tank, Do Smrti A Je​š​tě D​á​l saw See You in Hell mixing d-beat, crust, and hardcore with a heap of Burning Spirits’ oomph. See You in Hell sounded fully focused and burlier than ever with their heavy riffs and barking vocals backed by barrelling basslines. Do Smrti A Je​š​tě D​á​l was a prime example of See You in Hell’s core strengths. Rugged tunes for tough times. Perfect.

Label: Insane Society

Bandcamp: Do Smrti A Je​š​tě D​á​l


Collate: Generative Systems

Collate's Generative Systems LP kicked into gear with a riff paying tribute to the influence of Gang of Four. From thereon in, the Portland band shook, jangled, and shuddered their way across minimalist tracks, nodding to the finest exponents of off-kilter post-punk. Recorded on an 8-track cassette, Generative Systems was coarse and scratchy, and the album's lower-fi abrasiveness underpinned its authenticity. With intelligent lyrics, hypnotic basslines, and a captivating looseness, Generative Systems comes highly recommended.

Label: Domestic Departure

Bandcamp: Generative Systems


Sentinel: Age of Decay

Sentinel features members from some of hardcore's heaviest hitters; see groups like Mindforce, Age of Apocalypse, Restraining Order, and Mutually Assured Destruction. Unsurprisingly, Sentinel's Age of Decay debut was as hard as steel. The band's stampeding hardcore syphoned some of classic thrash's juice, with Sentinel citing crossover kingpins like Corrosion of Conformity and Crumbsuckers as prime influences. Guttural, grimy, and with ripping guitars and barking vocals galore, Age of Decay was a rapid-fire free-for-all. The perfect album for only the most brutal riffs will get you through.

Label: Convulse Records

Bandcamp: Age of Decay


Death Knell: Taste the Bitter End of a Once Brilliant Dream

Taste the Bitter End of a Once Brilliant Dream was the third release from Canadian outfit Deathknell. The eight-song LP launched the attack with a battering onslaught of the bleakest charged crust. However, Deathknell also locked into a punk 'n' roll groove numerous times, adding catchier hooks to their otherwise pitch-black sound. Mastered by Alan Douches, Taste the Bitter End of a Once Brilliant Dream sounded massive. Deathknell delivered a crushing torrent of the darkest punk around.

Label: Self-released

Bandcamp: Taste the Bitter End…


Guttered: Surfacing

Perth band Guttered's full-length, Surfacing, is out via killer Western Australian label Televised Suicide. Guttered tagged their sound as 'metal - black metal - doom - punk - sludge', which meant their 10-song full-length featured a mongrel mix of snarling sounds purpose-built to maximise Guttered's spitefulness and squalidness. Surfacing was a bad trip, an overdose of the filthiest noisenik narcotics. Blackened sludge led the charge, but the rotten heart of doom punk sealed the deal.

Label: Televised Suicide

Bandcamp: Surfacing


Fuerza Bruta: Contra

Fuerza Bruta's Contra LP was a total blast. The Chicago Oi! band's latest album referenced more Spanish and South American influences, and Fuerza Bruta's anthemic tracks dangled a long line of catchy hooks. Fuerza Bruta's sound was brawny and barrelling, and Contra featured more nuance and cannier musicianship than ever before. Those creative tweaks meant Contra was Fuerza Bruta's most engaging – and instantly replayable – release yet. Packed with in-your-face grit and gristle, Contra was a punk rock riot.

Label: Mendeku Diskak, Warthog Speak Records

Bandcamp: Contra


Mutant Strain: Murder of Crows

Mutant Strain’s latest release, Murder of Crows, was another top-notch display of punk’s sonic assaultiveness framed by more terrific art and design. Mutant Strain’s vocalist, Maryssa, was charged with energy, while the band’s incendiary instrumentation remained exhilarating throughout. Murder of Crows’ tracks were delivered at jaw-dropping speeds, and the skill required to balance their explosiveness with their tightness was wholly impressive. Mutant Strain’s debut LP was killer; Murder of Crows was even better.

Label: Sorry State Records

Bandcamp: Murder of Crows


Hiatus: Out of Hand

Out of Hand was the first release from Belgian crusties Hiatus since 1996. That’s a long time between drinks. Long enough to lose your passion for making a furious racket. Long enough to lose your creative connection to today’s punk milieu. Luckily, Hiatus’ Doom-via-Anti Cimex sound remains entirely in vogue, and the world’s still a fucking mess. Thus, Out of Hand sounded as relevant as ever. Hiatus’ fired-up tracks were replete with musical muscle backed by raw yet bulldozing production. Out of Hand was up there with Hiatus’ best work yet.

Label: Ruin Nation Records

Bandcamp: Out of Hand


Turquoise: Sang, Larmes & R​â​les

Turquoise’s Sang, Larmes & Râles LP served up more of the French band’s ‘hard-hitting raw rocking’ kängpunk. Turquoise’s action-packed tracks featured a Totalitär-like flavour and plenty of Infernöh’s bite. Sang, Larmes & Râles saw Turquoise loosening up by dropping in hookier riffs and more shout-a-long choruses. Sang, Larmes & Râles delivered eight ferocious songs in 16 electrifying minutes, with Turquoise underscoring what makes red-raw Scandicore such a raging good time.

Label: Symphony of Destruction, Les Choeurs de l’Ennui

Bandcamp: Sang, Larmes & R​â​les


Avskum: En Annan Värld Ar Möjlig

Long-lived d-beat band Avskum helped stamp hard-bitten Nordic punk on the map. The band’s fifth full-length, En Annan Värld Är Möjlig, displayed the same 100% hammering approach as Avskum’s best work. Therein, Avskum shouted about corruption, intolerance, far-right extremism, and resisting narrow-minded prejudice. The band remained plugged into their Discharge-inspired roots, while Avskum’s stocky sound and punchy production hit with full-force impact. En Annan Värld Är Möjlig proved there was plenty of life (and fired-up fury) left in Avskum.

Label: Prank Records, Scrammel Records

Bandcamp: En Annan Värld Är Möjlig


Salvaje Punk: S/T

The self-titled LP from New York City’s Salvaje Punk was described as the missing link between “No Security and Parabellum, with lyrics belted out in Spanish by a Colombian madman”. The earliest and rawest extreme metal made its presence felt in Salvaje Punk’s ultra-hardcore, with the band’s gut-driven tracks radiating an abundance of anger and heat. You didn’t need to speak Spanish to appreciate the intensity of Salvaje Punk’s message. Genuine punk like this cuts straight to the heart.

Label: Toxic State Records, Burning Paradise Productions

Bandcamp: Salvaje Punk


Enzyme: Golden Dystopian Age

Enzyme's second full-length, Golden Dystopian Age, bristled with a buzzsaw blend of psych-punk and knuckle-dragging hardcore. (Imagine Confuse swallowing Hawkwind and then gargling with Disorder.) A new element raised its head on the Golden Dystopian Age, too, with the doof-doof and oosh-oosh of hard techno further mangling Enzyme's songs. Golden Dystopian Age was a shattered mirror reflecting an even more shattered society. Once again, Enzyme proved that you can sound primitive as hell and yet utterly ingenious.

Label: Hardcore Victim, La Vida En Us Mus

Bandcamp: Golden Dystopian Age


Stigmatism: Ignorance In Power

The full-length debut from Stigmatism, Ignorance In Power, tipped its hat to the Rat Cage Records era of New York City hardcore. Drawing inspiration from such a hallowed era can result in ferocious-sounding music. But it can also produce music that sounds past its best-buy date. Thankfully, Stigmatism avoided the latter by injecting a mountain of energy and a shedload of swagger into Ignorance In Power's tracks. The album's heavy hooks and neck-snapping breakdowns conjured definitive NYHC, with Stigmatism's songs tackling corruption, bigotry, and the endless strife of big city life. Fans of Victim In Pain will lap this up.

Label: Static Shock UK, Toxic State Records

Bandcamp: Ignorance In Power


Stingray: Fortress Britain

Stingray's Fortress Britain LP got plenty of fan’ juices flowing by mixing myriad strains of feral punk with equal amounts of mosh-charged hardcore. There was much to be mined from Fortress Britain’s ear-piercing depths, with Stingray's savage sound and punishing metallic punk calling to mind UK legends like Sacrilege or ENT. Stingray's latest tracks were their most challenging and electrifying yet. Fortress Britain was an incredible display of hardcore powered by scorching wrath and rage. Brutal – in every sense.

Label: La Vida Es Un Mus

Bandcamp: Fortress Britain


Exterminator!: You Need the Service?

Exterminator!'s knuckle-dragging debut, You Need the Service?, was released in the very last days of 2022. (Which is basically 2023, right?) The Aotearoa New Zealand trio's stomach-churning sludge was cooked up in the depths of the Aotearoa’s capital city's punk scene. Much like the band's antecedent, Meth Drinker, Exterminator!'s doom-drenched dirges had crossover appeal for punk and metal connoisseurs hungry for down-tuned muck and low-gauge misery. You Need the Service? was filthier than a crustie's undies, with the album's cement-mixer bass, downer-buzz riffs, and trepanning percussion tightening the noose on suffocating tracks.

Label: Self-released

Bandcamp: You Need the Service?


Dead Moon: Going South

Dead Moon's Going South LP was recorded on the band's 1992 tour of Aotearoa New Zealand. (A legendary tour in the minds of Dead Moon's diehard Southern Hemisphere fanbase.) Going South captured the band firing on all cylinders in front of 40 fans. Of course, audience sizes never mattered to Dead Moon. They played their guts out regardless, delivering sweat-soaked garage punk, night after night, for decades. Going South evoked cherished memories for many, but more importantly, the album showcased why Dead Moon remain so revered.

Label: Mississippi Records

Bandcamp: Going South


Gel: Only Constant

Gel’s much-anticipated (and instantly sold-out) Only Constant LP was a full-throated rampage. The band’s label, Convulse Records, said that Gel’s latest release featured “hardcore for the freaks by the freaks”, which felt/sounded wholly accurate. Gel’s two guitarists delivered a relentless deluge of hook-spiked riffs. But the band’s singer, Samantha Kaiser, sealed the deal with her roaring vocals. Only Constant’s anthemic tracks were driven hard by stacks of urgency and insurgency, and the album was deranged and deafening. Get your freak on – and on and on again.

Label: Convulse Records

Bandcamp: Only Constant


Electric Chair: Act of Aggression

Electric Chair’s creativity and energy reached boiling point on their full-length debut, Act of Aggression. The band crammed 11 tracks into 15 minutes, giving you some idea of Act of Aggression’s throat-gripping approach. Volatile and violent are apt descriptors for Act of Aggression, but for all the album’s explosiveness, it also featured clever pivots, pull-backs, and crafty riff gymnastics. Act of Aggression’s full-force momentum captured the intensity of a sweat-soaked basement show. However, Electric Chair also buried subtle rewards in Act of Aggression’s whirlwind tracks.

Label: Iron Lung Records

Bandcamp: Act of Aggression


ConSec: Wheel of Pain

They say you shouldn’t judge a book by its cover, but you can ignore that advice when it comes to Consec’s Wheel of Pain LP. The ‘80s-styled cover art adorning the Athens, Georgia band’s Wheel of Pain LP perfectly captured the definitive hardcore within. Expect high-energy, brick-throwing, and face-punching noise. Wheel of Pain’s blown-out production was as raw as a root canal, and Consec’s divebombing riffs kept the album on the boil throughout. Picture a hammer smashing down on a fingernail. Again and again.

Label: Not For The Weak Records

Bandcamp: Wheel of Pain


Tozcos: Infernal

Tozcos are based in Santa Ana, California, and the band's engaging second LP, Infernal, resounded with classic SoCal influences. That said, Tozcos' real brilliance lies in the band's passionate infusion of a raft of international inspirations, from Spanish-language punk to frantic Italian hardcore, UK82's velocity, and a nod to Norwegian noise-makers Svart Framtid. Rabid yet melodic, frantic yet catchy, and well-sculpted yet red-raw, Infernal was also crisply produced, capturing Tozcos' abundant live-wire energy. Five years on from their first LP, Tozcos sounded better than ever.

Label: Quality Control HQ, Toxic State Records

Bandcamp: Infernal


Πυρ Κατά Βούληση: Θύματα Ειρήνης

Four-piece Πυρ Κατά Βούληση (Fire At Will) was formed by members from several Greek punk bands, the most prominent being well-known crusties Sarabante. If you're a fan of Sarabante, Totalitär, or any of the latter's progenies, you'll be all over Πυρ Κατά Βούληση's all-fire debut, Θύματα Ειρήνης ​​(Victims of Peace). Θύματα Ειρήνης’s volatile tracks featured muscular yet melodic riffs, throat-shredding vocals, and plenty of d-beaten action. Production-wise, Θύματα Ειρήνης delivered a hefty punch, but crucially, the album maintained a ragged edge, tethering Πυρ Κατά Βούληση to raw punk. A-grade Greek hardcore.

Label: Self-released

Bandcamp: Θύματα Ειρήνης


Systemik Viølence: Negative Mangel Attitude

Portuguese punks Systemik Viølence have released several fast and furious records that sound as nasty as rectal bleeding looks. The band’s 2023 full-length, Negative Mangel Attitude, was another pissed-off torrent of råpunk and black-hearted metalpunk. Negative Mangel Attitude’s heavier production added thicker armour to Systemik Viølence’s raw hardcore. However, the band still sounded uncompromisingly combative and abrasive – musically and otherwise. More badass badassery from Systemik Viølence.

Label: RSR Records, Doomed Records, Ragingplanet, Regulator Records, Ring Leader

Bandcamp: Negative Mangel Attitude


Quarantine: Exile

Exile: a 45rpm MLP delivered at a million mph. The latest powerhouse release from hardcore band Quarantine was a wild ride. Quarantine's over-the-top intensity saw skull-splitting guitars, pounding rhythms, and vicious vocals delivered with remorseless relish. Studio kingpin Arthur Rizk ensured everything hit like a sledgehammer, and Quarantine's uncompromising music-making thrummed with intimidating energy. Quarantine also nailed plenty of sharpened hooks into Exile, making for another cacophonous triumph.

Label: La Vida Es Un Mus, Damage United

Bandcamp: Exile


Society: Social Flies

With its Sprechgesang vocals and weird and wonky riffs, Society's Social Flies album was a jittery, skittery, and wonderfully strange release. The one-person, Philidepheia-based project cited Crass, Flux of Pink Indians, and Straw Man Army as influences, but groups like Zounds and the Fall also got a nod. Society's second release was offbeat and rough 'n' ready, perfect for fans of anarcho-punk or lo-fi indie rock. Social Flies evoked a distinct '80s feel, while Society remained firmly plugged into contemporary avant-garde punk.

Label: Spared Flesh

Bandcamp: Social Flies


Spirokete: Desert Earth

Until fairly recently, NYC punk band Spirokete went by the name of Unknown Liberty. A name change didn’t signal a drastic change in Spirokete’s chaotic sound. Although, things were certainly more guttural on the band’s latest abrasive release, Desert Earth, especially vocally. Desert Earth featured everything you want in a filth-encrusted, subterranean cassette. The eight-song release featured max-maelstrom d-beat and apocalyptic råpunk and Spirokete’s songs were boiled alive in sizzling vats of distortion. Corrosive and crude, Desert Earth featured the kind of primitive crashing noise that would instantly appeal to Confuse, Disclose or Gloom fans. For lovers of ear-piercing feedback and tinnitus.

Label: Self-released

Bandcamp: Desert Earth


Verdict: The Rat Race

Käng krew Verdict includes members who’ve played in well-known groups like Exploatör, Meanwhile, 3-Way Cum, and Dischange. Raw and fast mangel were the buzzwords for Verdict’s musical ventures, which is precisely what the band’s second LP, The Rat Race, delivered. You got growling, howling, and teeth-gnashing hardcore that went straight for the throat. The Rat Race’s super-tight, super-catchy, and super-speedy hardcore blazed with Swedish punk’s signature fury and ferocity.

Label: Phobia Records

Bandcamp: The Rat Race


Reissues


Rigorous Institution: Strange Harvest

Rigorous Institution’s Strange Harvest LP was a reissue and a compilation. Strange Harvest corraled Rigorous Institution’s early EPs onto a single LP, meaning the 7” releases, which had been hard for European fans to source, were available in a one-stop format. Fans of Rigorous Institution’s acclaimed 2022 LP, Cainsmarsh, will find a lot to love about the band’s apocalyptic and atmospheric EPs. They also see mind-melting psych-crust, anarcho-punk, and stenchcore boiling in primordial ooze. Magick, innit. 

Label: Symphony of Destruction

Bandcamp: Strange Harvest


The Last Survivors: 2001​-​2016

Out via US label General Speech, The Last Survivors’ 2001​-​2016 compilation gathered most of the Tokyo band’s 7″ releases, along with a scattering of rarer tracks. The Last Survivors are sometimes tagged as a raw punk band, which reflects their intensity and old-school Scandi influences. However, The Last Survivors’ sound isn’t a noise-core onslaught. UK82 and proto-punk also play prominent roles, meaning The Last Survivors sound raw and rabid but catchy as Hell. Even better, with 2001​-​2016 featuring remastered tracks, The Last Survivors have never sounded better.

Label: General Speech

Bandcamp: 2001​-​2016


Filth of Mankind: The Final Chapter

The discography of Polish crust band Filth of Mankind is minuscule, but its influence on an ever-growing list of doomsday crusties is enormous. Ruin Nation Records’ reissue of Filth of Mankind’s discography on a double LP – combining the band’s stone-cold classic The Final Chapter LP with their Czas Końca Wieku EP – is long overdue. Remastered by Brad Boatright at Audiosiege, the preview tracks from The Final Chapter sounded MASSIVE, with Filth of Mankind’s thundering songs driven hard by Amebix, early Bolt Thrower, and death-dealing inspirations galore. The Final Chapter features a formidable display of punk at its heaviest, both sonically and psychologically, and the album remains a crucial text in crust’s storied history.

Label: Ruin Nation Records

Bandcamp: The Final Chapter


Barrows: Discord and Society

Malaysian label Black Konflik Records uploaded dozens of releases to Bandcamp in 2023. Many were reissues collecting the work of little-heard underground bands, and several were rip-roaring compilations highlighting obscure Japanese groups, like razor-edged trio Barrows. The band's Discord and Society compilation combined their Discord And Society 7″ with their Remote Place Attack demo. With bands like Discharge, Disclose, and early Anti Cimex listed as prime influences, it was no surprise that Discord and Society's piercing tracks comprised migraine-inducing raw punk, d-beat, noisecore, and crude hardcore. All the essentials for lovers of the finest shitnoise.

Label: Black Konflik Records

Bandcamp: Discord and Society


Misery: The Early Years

Misery's The Early Years contained exactly what it said on the lid. The compilation featured most of Misery's 7″releases, which Lasse at Copenhagen’s Ballade Studio remastered, meaning the 13 tracks within sounded gnarlier and beefier than ever. The Early Years delivered 40 minutes of pissed-off, gravelly punk that stank like a mound of burning tyres. The Early Years was also the perfect opportunity to grab a stack of Misery's classics in one fell swoop. Heavy on the distortion – and heavy on the soul – in crust we trust, ad infinitum.

Label: Agipunk Records

Bandcamp: The Early Years


Jim Jones and the Kool-Ade Kids: Trust Me​.​.​.

Jim Jones and the Kool-Ade Kids' first release, Trust Me​.​.​., was originally issued by Wa Records in 1986. An original pressing sells for a hefty sum nowadays, so full credit to metal label Dark Descent Records for putting Trust Me​.​.​. back within reach for most of us. Trust Me​.​.​. exhibited plenty of cough-syrup heaviness, with raw thrash and proto-death metal supplementing the crossover hardcore within. Think Corrosion of Conformity's first metallic adventures or imagine Black Flag at their sludgiest, covering the entirety of Paranoid. Not every album lost in the mists of time warrants a repress. But Trust Me… thoroughly deserved the attention.

Label: Dark Descent Records

Bandcamp: Trust Me…


Мир: Mindecision

Mindecision, the obscure 1985 cassette from long-defunct Virginian hardcore band Мир, was given a spit and polish and re-issued on LP by Beach Impediment Records in 2023. Dusted off and remastered, Mindecision sounded great – scrappy, angry, angsty, and packed with youthful energy. I won't insult your intelligence by guesstimating where Mindecision sits in the pantheon of North American hardcore. However, Мир's sole recording is well worth checking out, and it's on par with much-loved recordings from the same era. Мир certainly deserve to have the volume turned up on their contributions to the cause.

Label: Beach Impediment Records

Bandcamp: Mindecision


Warhead: この想いを何処

Italian label F.O.A.D. Records has pumped out plenty of Japanese hardcore reissues over the years. (Often, those reissues feature stacks of bonus material and booklets packed with photos and intel about long-lost or long-revered bands.) F.O.A.D. Records’ 30th-anniversary reissue of Warhead’s first full-length, この想いを何処へ…, was mastered for vinyl and cut at 45rpm for maximum sonic impact. The legendary Kyoto band’s debut was originally released on CD by Blood Sucker Records in 1993, and three decades on, この想いを何処へ… has lost none of its intensity or attitude. Warhead’s debut remains an awesome display of the hardcore bristling with power and bursting with energy.

Label: F.O.A.D. Records

Bandcamp: この想いを何処へ…

Realm of Terror: Loss of Hope

Realm of Terror’s 2022 demo, Loss of Hope, didn’t need reissuing, per se. The Michigan stenchcore band’s demo was a noisenik feast, and while I thought it sounded great, it was, admittedly, a gruesomely lof-fi release. This year’s remixed and remastered version of Loss of Hope was heavier and punchier, but crucially, it didn’t sacrifice any of Realm of Terror’s abrasiveness. The band’s sonic ties to Extreme Noise Terror, Doom, Sore Throat, and Deviated Instinct were still readily apparent, and raw punk’s stink still clung to Realm of Terror’s nihilistic tracks. A tinnitus-inducing triumph.

Label: Guttural Warfare Records

Bandcamp: Loss of Hope


Asbestos: Agonized Cry

Last year, F.O.A.D. Records reissued the classic debut from Tokyo metallic crusties Asbestos. This year was the turn of Asbestos’ second full-length, Agonized Cry. Originally released on CD by Decontrol Records in 1996, the double LP reissue of Agonized Cry was filled with apocalyptic noise heavily influenced by Triple-A crushers Axegrinder, Amebix, and Antisect. Asbestos’ singer Kenshichi alternated between harsh barks and harrowing howls, while the band’s dark and grim riffs were fuelled by more thrash than before. Agonized Cry’s reissue was long overdue.

Label: F.O.A.D. Records

Bandcamp: Agonized Cry


Ahna: Crimson Dawn

Canadian band Ahna's full-length Crimson Dawn was greeted with plenty of applause when it was released on CD and cassette in 2020. Thanks to the fine folks at Phobia Records, Crimson Dawn was reissued on LP in 2023, arguably the best format for appreciating Ahna's skill at combining stenchcore's weaponry with death metal's instruments of war. Mega-crusty, and super-filthy, Crimson Dawn still sounds powerful enough to put a dent in a fucking tank. Crimson Dawn is a stone-cold crust classic, easily Ahna's most crushing work thus far.

Label: Phobia Records

Bandcamp: Crimson Dawn


State of Fear: Complete Discography Vol 1 & 2

Formed by ex-members of groups like Disrupt and Deformed Conscious, State of Fear’s politicised punk slotted right in during the heyday of Minneapolis crust. Sonarize Records released a two-volume set that compiled State of Fear’s complete discography in 2023. Remastered by Jack Control, Complete Discography Vol 1 & 2 sounded mammoth, with the two-LP collection perfectly showcasing State of Fear’s filth-caked strengths. Also included were large format booklets packed with biographic details, interviews, lyrics, and hard-to-find photos. Complete Discography Vol 1 & Vol 2 was a first-class release that showed due respect for an awesome-sounding (and still widely influential) band. 

Label: Sonarize Records

YouTube: State of Fear


Inu: Don’t Eat Food!

New York label Mesh Key Records specializes in unearthing underground and left-field releases from Japan. The label’s excellent 2023 reissue of Inu’s 1981 LP, Don’t Eat Food!, was another hidden gem. Long considered one of Japan’s most legendary punk releases, Don’t Eat Food! isn’t as well known outside of Japan as some of the nation’s hardcore classics. Don’t Eat Food! was crammed with youthful energy, and Inu’s mash-up of spiky punk and quirky post-punk still sounds super-fun and super-relevant. Inu disbanded three months after Don’t Eat Food! ’s release, but not before the band managed to catch lightning a bottle.

Label: Mesh-Key

Bandcamp: Don’t Eat Food


Languid: Resist Mental Slaughter

This year’s reissue of Resist Mental Slaughter, the 2017 debut from Canadian d-beat band Languid, was a prime opportunity to grab a physical copy of a previously limited-edition LP. Resist Mental Slaughter has a well-earned rep as one of Languid’s best releases, and remastered by Kenko at Communichaos Media, 2023’s reissue felt a magnitude heavier (and Languid’s riffs sounded deadlier than ever). Languid served up stomping raw punk that was berzerker-like in its intensity and yet surgical in its precision. This year’s reissue of Resist Mental Slaughter also came with a bonus 7” featuring Languid’s demo, which sounded all-killer, too.

Label: Desolate Records

Bandcamp: Resist Mental Slaughter


G.I.S.M.: Military Affairs Neurotic

G.I.S.M.'s second album followed a different beat than their first. Instead of Detestation’s mix of extreme rawness and maxed-out distortion, Military Affairs Neurotic featured much more of guitarist Randy Uchida’s metal-fuelled shredding and skyrocketing solos. Uchida’s flashier acrobatics battled it out with snarling hardcore and proto-industrial soundscapes, adding to Military Affairs Neurotic's eccentric tone and temper. Everything from the album’s brittle production to its artwork and outré songcraft reinforced G.I.S.M.'s status as true subversives.

Label: Relapse Records

Bandcamp: Military Affairs Neurotic


Quicksand: Slip

The 30th-anniversary edition of post-hardcore band Quicksand’s debut, Slip, was remastered for vinyl using the original album’s 1993 master tapes. (And man, did it sound great.) It’s tough nowadays, when multi-genre mash-ups are de rigueur, to describe Slip’s impact on hardcore. Slip opened the door to experimentation, linking ’80s NYHC to the ’90s alt-rock, with Quicksand carving out groundbreaking creative territory. A true classic, sounding better than ever.

Label: Iodine

Bandcamp: Slip


Autopsia: Sistema y Poder

Peruvian group Autopsia existed from '84 to '85. (Following the band's demise, former members formed other outfits, including the legendary Ataque Frontal.) Spanish label Discos Enfermos collected the 16 songs Autopsia recorded – a few compilation tracks and the band's 1985 demo – on Sistema y Poder this year. For a band that had difficulty finding instruments to play, Sistema y Poder sounded awesome. Very much of its time, musically, Sistema y Poder was rawer than a gut wound and bled politically-charged Latin American punk. Autopsia's no-nonsense shout-a-long hardcore featured catchy (often almost post-punk) hooks.  

Label: Discos Enfermos

Bandcamp: Sistema y Poder


Alternative: If They Treat You Like Shit - Act Like Manure

UK label Sealed Records has reissued plenty of long-lost gems, and Alternative’s If They Treat You Like Shit - Act Like Manure 12” was another brilliant obscurity given a new lease of life. Crass Records sub-label Corpus Christi originally released Alternative’s 1984 album, and the Scottish band shares a few Crass-like attributes. If They Treat You Like Shit… featured fiercely passionate peace punk, but Alternative also wove urgent post-punk and melodic anarcho-punk around their rabble-rousing lyrics. Thanks again to Sealed Records for shining a light on another vintage treasure.

Label: Sealed Records

Bandcamp: If They Treat You Like Shit…


Cress: Monuments

Originally released by Flat Earth Records in 1997, UK anarcho punk band Cress had their Monuments album reissued by a trio of labels in late 2023. Remastered at Enormous Door, the Bandcamp preview of Monuments displayed increased heaviness and crustiness, securing the album’s timelessness. Cress’ 1-2-1-2 punk sounded grim and grimy, with the band’s lyrical interests still pertinent in today’s crumbling world. Monuments’ gravelled vocals and gruff riffs sounded as relevant as ever.

Label: Ruin Nation Records, Fight For Your Mind, Profane Existence

Bandcamp: Monuments

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In Crust We Trust '23: EPs & Demos